Imagine a dark runway space illuminated only by the eerie half-glow of glass cases. What would ideally contain a scientific specimen was indeed the home for something far less menacing, but nevertheless strangely sinister. Botanical blooms coiled up and vibrantly coloured, were challenging their very existence in a somewhat poetic testament. Perhaps to the fragility of youth or the ever-changing ideals of femininity? Either way, as the first model walked onto the runway it was evident that this – like many a Dries collection before it – would be a dark fantasy. Models bore shadowy eyes and in some instances a miniature netted veil. Dresses exuded glamour in shades of golden yellow, moss green and midnight black. The concept of Dries’ garden did waver (ever so slightly) with her simpler silhouettes that bore floral print. There’s little doubt that these were hand-painted but they could very easily be duplicated by mass-market handlers. Nonetheless, notable pieces including a yellow Victorian-style top complete with thread detail and a deftly cut silk military jacket were nothing short of show-stopping. Scroll through our photo gallery to see our top ten favourite looks.
