In the world of creative expression, it is more often than not that lived experiences manifest in the form of art. "I must confess that the socio-political events in the contemporary history of the Middle East, particularly in Iran, have always been a part of my art. They are not just historical events, but a significant part of my lived experience, shaping my artistic expression,” explains Iranian artist Behrang Samadzadegan. His creative journey, deeply intertwined with the turbulent history of the Middle East, is often characterised by vibrant colours, depictions of flames, and geometrical shapes, reflecting a profound engagement with the political landscape of the region. Currently exhibiting his series Flames Beneath the Flowering Sky at the Leila Heller Gallery in Alserkal Avenue, the artist talks to MOJEH about all things art and politics.
Samadzadegan’s vision is rooted in the traditions of Persian miniature painting, an art form that was previously connected to courtly and aristocratic art. “What truly captivates me about Iranian miniature art is not the metaphysical myths that often surround it, but the unique way in which the artists constructed the geometry of elements and the divisions within their compositions. These were not just random placements, but carefully crafted to reflect singular or plural stories contained within a painting," he explains. Drawing inspiration from such compositions of Iranian miniatures, Samadzadegan explores the interplay of narrative and form. His work delves into complex themes of history, memory and the human condition, often conveying multiple narratives within a single composition.
"I also value the experience of working with fluid material, which often leads to unexpected and uncontrollable accidents. These accidents, far from being unwelcome, are embraced as they add a unique and unpredictable element to my work," he tells MOJEH. Embracing the unexpected, particularly through the use of watercolour, reflects an understanding of the unstable nature of history itself. "Years ago, I decided to change my medium from oil and acrylic to watercolour, motivated by political history. At that time, I believed that all political and historical changes promised a better life and a future utopia. However, I came to realise that every unexpected decision and accident alters the course of history. You can never go back and erase the mistakes. This is why I chose to work with watercolour. No matter how carefully you plan or calculate your intentions at the beginning, there will always be unforeseen accidents. I embrace these occurrences, recognising that you cannot return to a predetermined path once it has been altered. This resembles the continuous relationship between existence and history for me."
Fire emerges as a potent symbol in Samadzadegan's work, embodying both destruction and the resilience of hope. "While studying flames in Iranian and Indian miniature paintings, I was struck by how fire symbolises complex meanings such as destruction, transformation, and renewal, each with its own cultural and artistic significance." says Samadzadegan.
When asked about the inspiration behind his series Flames Beneath the Flowering Sky, the artist talks about his connection with war and with the region. "As crises unfolded in Lebanon, Palestine, Iran and Syria, I found myself reflecting on my own experiences growing up during the Iran-Iraq War. This war, which I experienced as a child, left an indelible mark on me. Moreover, the uncertainty and the unrelenting presence of unrest became all too familiar for me as an Iranian. In response, fire became a central theme in my work. Flames Beneath the Flowering Sky captures the duality of crisis and the persistent promise of growth and liberty. It emphasises the inspiring coexistence of despair and hope, even in the darkest moments".
Samadzadegan's artistic practice extends beyond personal expression. The artist actively engages with the art world as a curator and educator, exploring the shared cultural heritage of the Middle East. "I continue working on new paintings that will be shown in future group shows and art fairs. At the same time, I am also working on curatorial plans for the future. These plans include thematic exhibitions that delve into the shared cultural roots of artists from the Middle East, Pakistan, India and other nations." concludes Samadzadegan. Learn more
